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How The Cranberries’ ‘Zombie’ Conquered Radio Nova’s Women That Shaped Music Countdown

By Jake Danson
3 hours ago
Est. Reading: 3 minutes

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How The Cranberries’ ‘Zombie’ Conquered Radio Nova’s Women That Shaped Music Countdown

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In a result that felt both inevitable and electrifying, The Cranberries’ seismic anthem "Zombie" has claimed the top spot in Radio Nova’s Women That Shaped Music Countdown. Beating out a formidable field of legendary artists, from Fleetwood Mac to Joan Jett, the Limerick-born band’s 1994 protest song stood triumphant, its defiant spirit undiminished across three decades.

But how did it win? The answer is simple: "Zombie" is more than just a song—it is a moment in history, a piece of raw, unfiltered emotion that has only grown in significance.

Released in September 1994, "Zombie" marked a bold shift for The Cranberries. Up until that point, the band had been known for their ethereal alt-rock, blending dreamlike melodies with Dolores O’Riordan’s unmistakable, lilting vocals. Hits like "Linger" and "Dreams" had established them as one of the most exciting bands to emerge from Ireland in the early ‘90s. But "Zombie" was different. It wasn’t wistful or romantic—it was a roaring, unapologetic protest.

Written by O’Riordan in response to the 1993 Warrington bombings, in which two children—three-year-old Johnathan Ball and twelve-year-old Tim Parry—were killed by an IRA attack, the song confronted the ongoing conflict in Northern Ireland head-on. At a time when many artists shied away from politically charged lyrics, O’Riordan delivered a track that was impossible to ignore.

From its opening buzzsaw guitar riff to the anguished refrain—"In your head, in your head, they are fighting"—"Zombie" is the sound of grief and rage colliding. And yet, it isn’t just a song of anger. There’s something deeply sorrowful at its core—a recognition of the senseless cycles of violence that had claimed too many innocent lives.

The success of "Zombie" propelled The Cranberries from rising stars to global icons. It became their first number one in multiple countries, including Australia, France, and Germany, and won Best Song at the 1995 MTV Europe Music Awards. The album it was housed on—"No Need to Argue"—went on to sell over 17 million copies worldwide, cementing the band’s place in rock history.

At the heart of it all was Dolores O’Riordan. A singular talent, her voice was at once delicate and ferocious, capable of soaring falsettos and guttural roars. She was more than just a frontwoman—she was the band’s creative engine, writing most of their songs and imbuing them with an unmistakable emotional weight.

Tragically, O’Riordan passed away in 2018, leaving behind a legacy that feels even more powerful in her absence. "Zombie" has only grown in stature, covered by countless artists and accumulating over 1.5 billion views on YouTube, making it one of the most-watched rock videos of all time.

The Radio Nova Women That Shaped Music Countdown was a celebration of the female artists who changed the landscape of music, and few have had as profound an impact as Dolores O’Riordan. Voted for by listeners, the countdown saw "Zombie" edge out competition from Stevie Nicks, Debbie Harry, Tina Turner, and more—but it’s a victory that makes perfect sense.

It is a song of resistance. A song that speaks to pain, injustice, and the enduring human spirit. A song that, even in 2025, refuses to be forgotten.

And so, three decades after its release, "Zombie" stands atop yet another chart—just as vital, just as urgent, and just as unforgettable as ever.

Jake Danson

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